Sunday, October 2, 2011

HONG KONG Projects

  1. Street Performers
  2. Brave Faces
  3. Poverty

Monday, August 22, 2011

Free Film Festivals in Aus

http://www.australianfilmfestival.com.au/

http://www.bluemountainsfilmfestival.com/

http://www.wift.org/wow/

Saturday, February 12, 2011

Film Festival to Enter into

http://www.britfilms.com/festivals/

Hawaii International Film Festival

Deadline March 30th $40

http://hiff.org/industry

Deadlines


BUSTER Copenhagen International Film Festival for Children and Youth


All entries along with screener material (preferably DVD) should be sent along with a completed entry form before the 1st of April 2011 to:

Tagensvej 85F
DK - 2200 Copenhagen N
Att: Steffen Kjelds

For further information please contact head of programme; Steffen Kjelds at:
steffen@buster.dk

http://www.buster.dk/b/a2.lasso?fid=4&n=325


Bornshort Film Festival
SUBMISSIONS OPEN FEBRUARY 2011

Deadline: 15 June 2011.

http://bornshorts.com/faq.html


Artichoke Film Festival
Deadline: April 1st
http://filmfestival.dk/

Wednesday, December 22, 2010

Hong Kong Projects

I have several projects I want to do while I am in Hong Kong.

Feel: Hong Kong

Street Performers

Homeless in Hong Kong (poverty in Hong Kong)

Monday, December 20, 2010

Film Festivals to Enter into

Hong Kong International Film Festival

Deadline Dec 31st
HK$390
http://www.hkiff.org.hk/en/press_35hkiff_entry.php

Jeonju International Film Festival 2011

Deadline Jan 28 2011
http://eng.jiff.or.kr/g70_community/10_notice_detail.asp?idx=82

http://www.freshwave.hk/

Hawaii International Film Festival

Deadline March 30th $40

http://hiff.org/industry

Monday, November 1, 2010

Hi Calvin ( and Dan) ,

lock off ( complete) your picture edit as soon as possible.

At this point bring the sound designer and composer together for a 'spotting' session.

In this session watch the film together and in addition to all diegetic sound in already in the edit , outline the areas where you imagine there to be :
1. music
2. sound design ( dialogues / effects / atmospheres)
3. a combination of the music and sound design

The sound designer and composer then take away a low res version of the edit with burnt in time code and then work on their respective areas.

When complete, all elements of the sound track are brought together for the MIX.

The director in collaboration with the film mixer ( and sound designer and composer) then decides on the relative level of the different elements of the sound track.

I hope this helps,

A