- Street Performers
- Brave Faces
- Poverty
Sunday, October 2, 2011
Monday, August 22, 2011
Free Film Festivals in Aus
http://www.australianfilmfestival.com.au/
http://www.bluemountainsfilmfestival.com/
http://www.wift.org/wow/
Thursday, March 10, 2011
Saturday, February 12, 2011
Film Festival to Enter into
http://www.britfilms.com/festivals/
Hawaii International Film Festival
Deadline March 30th $40
http://hiff.org/industry
Deadlines
BUSTER Copenhagen International Film Festival for Children and Youth
All entries along with screener material (preferably DVD) should be sent along with a completed entry form before the 1st of April 2011 to:
Tagensvej 85F
DK - 2200 Copenhagen N
Att: Steffen Kjelds
For further information please contact head of programme; Steffen Kjelds at:
steffen@buster.dk
http://www.buster.dk/b/a2.lasso?fid=4&n=325
Bornshort Film Festival
SUBMISSIONS OPEN FEBRUARY 2011
Artichoke Film Festival
Deadline: April 1st
http://filmfestival.dk/
Hawaii International Film Festival
Deadline March 30th $40
http://hiff.org/industry
Deadlines
BUSTER Copenhagen International Film Festival for Children and Youth
All entries along with screener material (preferably DVD) should be sent along with a completed entry form before the 1st of April 2011 to:
Tagensvej 85F
DK - 2200 Copenhagen N
Att: Steffen Kjelds
For further information please contact head of programme; Steffen Kjelds at:
steffen@buster.dk
http://www.buster.dk/b/a2.lasso?fid=4&n=325
Bornshort Film Festival
SUBMISSIONS OPEN FEBRUARY 2011
Deadline: 15 June 2011.
http://bornshorts.com/faq.htmlArtichoke Film Festival
Deadline: April 1st
http://filmfestival.dk/
Wednesday, December 22, 2010
Hong Kong Projects
I have several projects I want to do while I am in Hong Kong.
Feel: Hong Kong
Street Performers
Homeless in Hong Kong (poverty in Hong Kong)
Feel: Hong Kong
Street Performers
Homeless in Hong Kong (poverty in Hong Kong)
Monday, December 20, 2010
Film Festivals to Enter into
Hong Kong International Film Festival
Deadline Dec 31st
HK$390
http://www.hkiff.org.hk/en/press_35hkiff_entry.php
Jeonju International Film Festival 2011
Deadline Jan 28 2011
http://eng.jiff.or.kr/g70_community/10_notice_detail.asp?idx=82
http://www.freshwave.hk/
Hawaii International Film Festival
Deadline March 30th $40
http://hiff.org/industry
Deadline Dec 31st
HK$390
http://www.hkiff.org.hk/en/press_35hkiff_entry.php
Jeonju International Film Festival 2011
Deadline Jan 28 2011
http://eng.jiff.or.kr/g70_community/10_notice_detail.asp?idx=82
http://www.freshwave.hk/
Hawaii International Film Festival
Deadline March 30th $40
http://hiff.org/industry
Monday, November 1, 2010
Hi Calvin ( and Dan) ,
lock off ( complete) your picture edit as soon as possible.
At this point bring the sound designer and composer together for a 'spotting' session.
In this session watch the film together and in addition to all diegetic sound in already in the edit , outline the areas where you imagine there to be :
1. music
2. sound design ( dialogues / effects / atmospheres)
3. a combination of the music and sound design
The sound designer and composer then take away a low res version of the edit with burnt in time code and then work on their respective areas.
When complete, all elements of the sound track are brought together for the MIX.
The director in collaboration with the film mixer ( and sound designer and composer) then decides on the relative level of the different elements of the sound track.
I hope this helps,
A
lock off ( complete) your picture edit as soon as possible.
At this point bring the sound designer and composer together for a 'spotting' session.
In this session watch the film together and in addition to all diegetic sound in already in the edit , outline the areas where you imagine there to be :
1. music
2. sound design ( dialogues / effects / atmospheres)
3. a combination of the music and sound design
The sound designer and composer then take away a low res version of the edit with burnt in time code and then work on their respective areas.
When complete, all elements of the sound track are brought together for the MIX.
The director in collaboration with the film mixer ( and sound designer and composer) then decides on the relative level of the different elements of the sound track.
I hope this helps,
A
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